Free Essays on The Lion In Love

The Lion in Love is a fable about a lion that falls in love with a woodcutter’s daughter. The lion demanded the daughter in marriage but her father would not grant his request. The daughter was fearfully afraid of his claws and teeth, and after serious consideration, the fathers’ willingness to accept the Lion as a suitor of his daughter under one condition, that he would allow him to extract his defenses, such as his teeth, and cut off his claws. The lion assented to the fathers’ proposal. When the toothless and clawless lion returned to repeat his request to marry his daughter, the woodcutter, no longer fearing the lion, sat upon him with his club and drove him into the forest. This fable represents the good and evil in the world. The lion only wanting to marry his daughter out of love and father only wanting him to give up his defenses so he could never fear him again shows that out of something good comes evil. The morals of the story is to never resign to your own defenses; love can blind even the wildest; and an extravagant love consults neither life, fortune, nor reputation, but sacrifices all that can be dear to a man of sense and honor, to the transports of an inconsiderate passion. The ideology of this fable is that when you give up your defenses and who you are you lose a part of you. If you have to give up your dignity and honor of who you are for someone you love then you should not be with that person. I think in today’s society some people change who they are to make the person they want to be with happy. If it takes changing who you are to make someone else happy, I believe you don’t even need to be with that person. If a person is not happy with whom you are then they do not need to be with you. In this fable, the lion gives up his defenses in order to marry the woodcutter’s daughter, but in the end it never changed anything except the fact that he lost who he was, and yet he still did not... Free Essays on The Lion In Love Free Essays on The Lion In Love The Lion in Love is a fable about a lion that falls in love with a woodcutter’s daughter. The lion demanded the daughter in marriage but her father would not grant his request. The daughter was fearfully afraid of his claws and teeth, and after serious consideration, the fathers’ willingness to accept the Lion as a suitor of his daughter under one condition, that he would allow him to extract his defenses, such as his teeth, and cut off his claws. The lion assented to the fathers’ proposal. When the toothless and clawless lion returned to repeat his request to marry his daughter, the woodcutter, no longer fearing the lion, sat upon him with his club and drove him into the forest. This fable represents the good and evil in the world. The lion only wanting to marry his daughter out of love and father only wanting him to give up his defenses so he could never fear him again shows that out of something good comes evil. The morals of the story is to never resign to your own defenses; love can blind even the wildest; and an extravagant love consults neither life, fortune, nor reputation, but sacrifices all that can be dear to a man of sense and honor, to the transports of an inconsiderate passion. The ideology of this fable is that when you give up your defenses and who you are you lose a part of you. If you have to give up your dignity and honor of who you are for someone you love then you should not be with that person. I think in today’s society some people change who they are to make the person they want to be with happy. If it takes changing who you are to make someone else happy, I believe you don’t even need to be with that person. If a person is not happy with whom you are then they do not need to be with you. In this fable, the lion gives up his defenses in order to marry the woodcutter’s daughter, but in the end it never changed anything except the fact that he lost who he was, and yet he still did not...

Foundations of Grammar in Italian

Foundations of Grammar in Italian For many Italian language speakers- even for those whom Italian is their madrelingua- the phrase parti del discorso might seem foreign. English speakers know the concept as parts of speech, but its probably a term vaguely remembered from grade school grammar. A part of speech (whether Italian or English) is a linguistic category of words generally defined by the syntactic or morphological behavior of the lexical item in question. If that definition intrigues you, then an introduction to Italian linguistics might be a jumping off point. Suffice it to say that linguists have developed a classification system that groups specific types of words according to their roles. For anyone whose primary goal is to speak like an Italian, perhaps its enough to be able to identify each of the parti del discorso to facilitate learning the language. Per tradition, grammarians recognize nine parts of speech in Italian: sostantivo, verbo, aggettivo, articolo, avverbio, preposizione, pronome, congiunzione, and interiezione. Below is a description of each category with examples. Noun / Sostantivo A (sostantivo) indicates persons, animals, things, qualities, or phenomena. Things can also be concepts, ideas, feelings, and actions. A noun can be concrete (automobile, formaggio) or abstract (libert, politica, percezione). A noun can also be common (cane, scienza, fiume, amore), proper (Regina, Napoli, Italia, Arno), or collective (famiglia, classe, grappolo). Nouns such as purosangue, copriletto, and bassopiano are called compound nouns and are formed when combining two or more words. In Italian, the gender of a noun can be male or female. Foreign nouns, when used in Italian, usually keep the same gender as the language of origin. Verb / Verbo A verb (verbo) denotes action (portare, leggere), circumstance (decomporsi, scintillare), or state of being (esistere, vivere, stare). Adjective / Aggettivo An adjective (aggettivo) describes, modifies, or qualifies a noun: la casa bianca, il ponte vecchio, la ragazza americana, il bello zio. In Italian, there are several classes of adjectives, including: demonstrative adjectives (aggettivi dimostrativi), possessive adjectives (aggettivi possessivi), (aggettivi indefiniti), numerical adjectives (aggettivi numerali), and degree of comparison adjectives (gradi dellaggettivo). Article / Articolo An article (articolo) is a word that combines with a noun to indicate the gender and number of that noun. A distinction is usually made between definite articles (articoli determinativi), indefinite articles (articoli indeterminativi), and partitive articles (articoli partitivi). Adverb / Avverbio An adverb (avverbio) is a word that modifies a verb, an adjective, or another adverb. Adverb types include manner (meravigliosamente, disastrosamente), time (ancora, sempre, ieri), (laggià ¹, fuori, intorno), quantity (molto, niente, parecchio), frequency (raramente, regolarmente), judgment (certamente, neanche, eventualmente), and (perchà ©?, dove?). Preposition / Preposizione A preposition (preposizione) connects nouns, pronouns, and phrases to other words in a sentence. Examples include di, , da, , con, su, per, and tra. Pronoun / Pronome A (pronome) is a word that refers to or substitutes for a noun. There are several types of pronouns, including personal subject pronouns (pronomi personali soggetto), direct object pronouns (pronomi diretti), indirect object pronouns (pronomi indiretti), reflexive pronouns (pronomi riflessivi), possessive pronouns (pronomi possessivi), (pronomi interrogativi), demonstrative pronouns (pronomi dimostrativi), and the particle ne (particella ne). Conjunction / Congiunzione A conjunction (congiunzione) is the part of speech that joins two words, sentences, phrases or clauses together, such as: quando, sebbene, anche se, and nonostante. Italian conjunctions can be separated into two classes: coordinating conjunctions (congiunzioni coordinative) and subordinating conjunctions (congiunzioni subordinative). Interjection / Interiezione An interjection (interiezione) is an exclamation that expresses an improvisational emotional state: ah! eh! ahimà ¨! boh! coraggio! bravo! There are many types of interjections based on their form and function.